So we have the possibility only of developing consciousness. And we start with the culture and the famililial experience with which we were stuck. That is what constitutes us initially.
That is why it so important Feeling when you talk about the Cotillions and the Charm School. With your reality of a sister who tried to kill you and parents who willed you to be silent.]
Yes. This is a crucial piece, Copa.
Thank you.
It was not fraudulence, Cedar, it was defiance. It was somehow choosing to define yourself beautifully and deciding by fiat that you would have in your life what is true and real and fine.
Choosing to define ourselves beautifully...deciding by fiat that we will have in our lives what is true and real and fine.
Dissonance.
That concept of dissonance.
Could be described as choosing to do without defenses we have come to see as thoughtless, automatic things. The ability to do that does seem to happen in a spiral, Copa. Deeper, a little more all-encompassing, each time. As we become practiced at it, we stay warm and live instead of going Frankenstein; we allow the hurt of it or even, trace it down and and down. Because we can do that, we hurt more deeply, but we heal more deeply too, each time we follow the spiraling, essential dissonances.
Now I understand why you posted so often about dissonance, Feeling.
That is the place of healing and reclamation.
Dissonance.
You have posted to us about the concept of dissonance before, Copa.
Now I know the taste of it.
You rose above filth, Cedar, just as I did when I chose to walk those tiers among killers and rapists and ordinary thugs.
So, in my imagery now, I have that concept of multiple imprisoned selves. And of myself, performing as you did in real life, Copa.
Boy, there are alot of them. Throwing feces, doing whatever they can do to be seen and heard because they are meant to be free, and not imprisoned.
They all are me, of course.
Cedar, I loved the mental image you painted about Copa's referrence to a house of ill repute. I greatly enjoyed it. When I am scared, I find that I feel better by joking. I noticed, after I had sent my 2 last posts, that I talked about it using your name...not saying like Cedar's imagined bodello. I wanted to apolize, and I tried to put a funny twist on it. Again, jokes are better than screams...
There is no apology necessary, Feeling. You will not know, having been with us only a little time, that "whore" is a feeling I wallow around in alot, regarding my mother. And my sister too, it certainly does look like, this morning. Everything about our experience here was fine ~ seen in one way, was excellent. I think that as we heal, we see what we need to see to bring the thing being brought up for healing to fruition. It was nothing you did, Feeling. I did it, to and for myself. I could have let it go, but given that the feelings were there to be addressed, that would have been selling myself out.
I am grateful, Feeling. Copa, New Leaf. I trusted, you all witnessed and defined and stayed right with me through it, and I am better, today.
Thank you all so much.
Here is an interesting thing I learned about myself, about that younger self I was. In allowing the feelings to melt and run, I found the essential place where locus of control went external; I found the why (at least, for this facet of self) for external, rather than internal, locus of control.
The abandonment, the punishment in that concept "whore". A whore sells herself (or himself). But that selling can be, as Copa reminds us, a defiant thing. That was why the imagery of the actress loving every inch of her skin, and her expression as she bathed
in the sun was so important to this episode of reclamation.
I saw her, saw the face and the body postures, so easy and private in public, and the eyes of the actress as she bathed, again and again, as I went through this.
Internal locus of control.
That is what that actress displayed, as she bathed naked in the sun.
That sign, flashing "Girls! Girls! Girls!".
The actress, bathing so beautifully, so surely herself, in the sun.
It was exactly right that these things happened for me as they did, and I am sincerely grateful to each of you.
And to me too, of course.
We all are doing well, are coming through well.
An amazing coincidence that we all are here together, or...?
:O)
Cedar
Oh. I was going to note some of what came up for me as I came through this part of reclaiming internal locus of control.
This is done not to accuse or elicit sympathy or justify or etc. This is shared so that the next one of us to go through it has a kind of map.
So, keeping very much in the front of our minds Copa's assertion:
So we have the possibility only of developing consciousness. And we start with the culture and the famililial experience with which we were stuck. That is what constitutes us initially.
These are the feelings we functioned through as young girls and as young women:
I could not settle, could not concentrate, seemed not able to follow a thought to its conclusion, through this reclamation. That imagery of my mother and sister intruded on all things, on everything, conscious or not. I kept hearing that stupid ring of crystal. My father was in there somewhere too, and an especially traumatic remembrance of my brother. Everyone was there, and it was dark.
The reason this is crucial: We lived that mindset from the time we were little.
With all this going on, we could not devote ourselves purposefully to anything. Not school, not music, not friendship; not presence walking down the street. Locus of control was out there somewhere. Survival was the crucial issue, trust nonexistent; trust in ourselves...a defiant choice.
So, we chose.
Good for us.
That is how we are strong enough to free the prisoners, now. Remember the poetry about the prisoner? How strange Copa, that you lived it; that I wrote it, and that we are finding meaning in and employing that imagery, here.
That poetry is on the Family of Origins thread too, Feeling.
The other important thing I learned is that, for the actress to have portrayed the whore bathing so beautifully in the sun, she had to know: The way anyone would choose to see her had nothing to do with who she was.
That is an apt description of internal, versus external, locus of control.
That way that actress looked and felt, bathing naked in the sun.
The other thing I learned is that the energy of contempt, in an eye roll say, is stolen from
us. It is our energy that delivers the punch. An eye roll matters because, raised into a kind of hypervigilence having to do with believing the abuser's mindset mattered more than our own interpretation of whatever was happening to us, we are forever looking for definition outside ourselves.
To be safe from the abuser's determined intent that we are her thing, her possession, and not our own.
A valuable experience for me. Thank you, each of you, so very much.
Cedar